Amaranthe – Manifest Review

Score7/10
GenreMelodic Metal (Pop Metal)
CountrySweden
Runtime40:20
Release Date2 October 2020
Record LabelNuclear Blast

Sweden’s melodic metal masters Amaranthe have continued to hold the pop metal standard high in their sixth album, Manifest. While I’ll never come back to half of the tracklist, the amount of sheer talent Amaranthe continues to display can’t be ignored; whether it’s the relentless, intricate grooving of drummer Morten Løwe Sørensen or the combined vocal talents of Elize Ryd, Nils Molin, or Henrik “GG6” Englund, there’s a ton to appreciate musically.

If there’s one thing that can be said about Manifest, it’s that it’s exactly consistent with what you’d expect an Amaranthe album to be: bright, hopeful choruses in between thunderous rhythm section syncopation, digital synths, and colossal growls. It leans further to the pop side, (like everything since The Nexus) but it contains enough powerful riffs and chugging that it still sits comfortably under the metal banner, although not under the power metal banner, as so many others seem to be convinced.

In all honesty, I was ready to call it quits on this album after my first listen. It seemed like they gave up on everything else and settled into being a metalcore version of late 2000s pop groups. However, being that I’ve been a huge fan of these guys for years (and also that I first spun it on my shitty Bluetooth speaker at work), I decided to give it another spin, for old time’s sake. And, fortunately, that led to a few more listens.

Sure, my initial reaction still holds up for the trainwrecks that are ‘Stronger’ (does someone wanna tell me how you can fuck up a song that features both Elize Ryd AND Noora Louhimo?), ‘Die and Wake Up’, ‘Make It Better’, and the poorly-named ‘Adrenaline’, but Manifest‘s best tracks live up to the band’s full capabilities.

For starters, ‘Fearless’ kicks the album off with all the shiny-yet-ferocious badassery Amaranthe is known for. The following tracks rotate between crap and good-but-not-great (and a full-out Dynazty song in ‘Do Or Die’) until the second half, where we get to some seriously killer tracks in ‘The Game’, ‘Archangel’, and my personal favourite, ‘Boom!’. Seriously, if you lost all hope in Amaranthe because of MAXIMALISM or Helix, ‘Boom!’ is probably the completely wrong song to recommend, but it’s such a shitshow that I have to. It’s the obligatory GG6 feature on the album, so you can expect some of the best growling/rapping metal has to offer, along with shameless self-awareness.

As a sidenote, I can’t say for sure (because I haven’t been bothered to check), but I would imagine that the differing factor between the tracks I like and dislike is how involved Elize Ryd is in the songwriting. In Helix, new male vocalist Nils Molin (Dynazty) didn’t get a proper introduction (in my own not-so-humble opinion), and there was way too much “Oo, look at me!” from Elize. Not that I think she’s a bad vocalist by any stretch; she’s actually one of my favourites. However, it seems like the band is all the better when she takes a step back from the songwriting and allows the music to be more of a team effort.

All in all, Manifest is about the best an album like this could be. It’s easily the best Amaranthe album since 2013 and it blows pretty much every other band in the space (think Metalite (or maybe protect yourself by NEVER thinking about Metalite), Scarleth, CyHra, In Flames kinda) out of the water.

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Dynazty – The Dark Delight Review

Score9/10
GenreMelodic Metal
CountrySweden
Runtime52:17
Release Date3 April 2020
Record LabelAFM

Where a lot of bands would suffer severe burnout after releasing a new album every two years for more than a decade, Dynazty are sounding fresher than ever in their seventh record, The Dark Delight. Full of electronic elements and powerful melodies, there’s far more between the lines than just modern flare. The Swedish melodic metallers have struck gold with an album that bursts with commercial accessibility and badass heavy metal in equal measure.

The uniqueness this album contains is surprising, considering frontman Nils Molin has also been busy as the new male vocalist of the Swedish pop metal group Amaranthe. Despite a similar core sound (colossal drums and guitars, bouncy synth melodies), The Dark Delight retains its individuality, even when compared to Dynazty’s own previous stuff.

Most of the tracks have identical styles, staying heavy and darker for the verses then lightening up a bit on the chorus. Although, Dynazty do an excellent job at keeping every song sounding unique while working around this idea. The melodies are strong and catchy and the beats carry serious headbangability, so it’s easy to see why The Dark Delight holds its own with other modern metal bands like Amaranthe, Delain, or The Dark Element.

The highlight for me isn’t the catchiness, or the electronic elements, or the massive guitars, or the colourful drumming. No, for me, the highlight is undoubtedly the soloing. Seriously. These guys lay down some serious shreds.

Even if you aren’t a fan of this style, The Dark Delight is commendable enough to warrant a listen. It’s not often a poppy metal album is full of so much detail, so if killer vocals, guitars, and drums aren’t good enough for you, maybe they will be.

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Melodic Metal: New Single From Dynazty

Swedish modern metallers Dynazty have dropped a new single from their upcoming album, The Dark Delight. ‘Presence of Mind’ follows the bands more recent albums, so we can likely expect an album of similar sound.

The Dark Delight will be Dynazty’s seventh album since their beginnings in 2007. While their music has explored a number of different styles, they have settled on modern melodic metal, as their previous three albums have supported.

No further details of The Dark Delight have been released yet, but you can expect to hear it on 4 April 2020!

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