Dawn Of Destiny – The Beast Inside Review

GenreMelodic/Power Metal
Release Date4 October 2019
Record LabelRam It Down

These days, it’s incredibly difficult to carve out your own distinct space in the metal world. Among the billion or so new bands that come out by the year, it’s simply a numbers game at this point; no matter what your sound is, chances are it’s been done before. Usually, anyway. So, when a band like Dawn of Destiny comes around with a new album, it’s enough to ignite my curiosity. To say that The Beast Inside is unique would be a bit of an understatement. Seriously. It’s so unique that I can’t directly compare its sound to another band or album. Not that I’ve heard every metal record ever (because, obviously, I haven’t), but I’ve listened to my fair share of melodic and power metal, so that should say something.

However, that doesn’t make their sound indescribable or anything of the sort. Most simply, The Beast Inside is a mashup of gothic, progressive, symphonic, and power metal. This fundamental mix is hardly groundbreaking, but the way in which Dawn of Destiny differs from any band I can think of is the way it twists this combination into unconventional songwriting and interesting melodies. The first track, ‘The Beast Inside a Beauty’ is a great example of this. Starting with a light music box melody, it brings the attitude of gothic and symphonic metal together with the driving energy of power metal. It’s also the perfect preview to the album’s overall sound and (although the next two tracks aren’t quite as good) it starts the album off on a high note.

So, yeah, it’s got a unique sound, but what about the musicians? I’m glad you asked! In short, this is a fucking talented group. Jen Faber brings a big, beefy guitar tone to his chugging riffs and, on drums, Philipp Bock goes beyond your basic time-keeping by keeping the grooves dynamic. And those guitar solos? Holy fuck. There are some serious gems, especially in ‘It’s My Fate’. The highlight, though, is Jeanette Scherff‘s strong vocal style. She sings far lower and with way more bravado than you usually hear in this kind of music, making the already-solid choruses even more memorable. Her voice is actually very similar to original Battle Beast and current Burning Point vocalist Nitte Valo. Tying the whole thing together are the keyboards, courtesy of Dirk Raczkiewicz, which fill out the background nicely.

Despite all the praise I have for The Beast Inside, it isn’t perfect. ‘Peace of Mind’ is pretty weak to the point where the album could easily do without it. But, other than the odd awkward verse melody and section, this is pretty much it for shortcomings, which isn’t bad at all, if you ask me.

All things considered, The Beast Inside is an awesome album. The songs range from energetic power metal to heavier, darker metal to unconventional-yet-melodic metal. Some songs are definitely stronger than others, with ‘Signs in the Sky’ and ‘If We Close Our Eyes’ being my favourites, but every track offers something different from the last, so make sure to give the whole album a spin!

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Divided Multitude – Faceless Aggressor Review

GenreHeavy Progressive Metal
Release Date6 September 2019
Record LabelRam It Down

Divided Multitude is no stranger to the prog metal scene. Since their founding in the mid-90s, they’ve released six albums of mixed quality. Their seventh and latest effort, Faceless Aggressor, is colossal and riff-driven yet very melodic. It wouldn’t be entirely wrong to compare it to something along the lines of Symphony X or even classic-Queensryche crossed with late-80s heavy/glam metal. It’s a combination of music that I haven’t heard done this well before, and I fucking love it.

Before we get to the many things I find great about Faceless Aggressor, there are a couple issues to get out of the way. To begin, the lowest point of the album would have to be ‘Uninvited’. It’s the slowest, most “ballady” (though it’s not really a ballad) on the album, but it’s pretty weak and underwhelming. It has a couple crescendos and decrescendos, but I find the whole track relatively uninspired, especially considering what surrounds it. It seems like Divided Multitude are much more comfortable playing heavily and aggressively, but there’s not a whole lot else that they show on this album until the closer. As a result, there’s a fairly limited amount of variety here.

But, variety doesn’t matter as much if each song, while based around a similar musical theme, fucking nails it, like they pretty much do on this album. Right from the start, I noticed that both the drums and vocals are dynamic and expressive. The time and feel changes are also done really well, despite such an huge sound. They’re always fluid and the band does a masterful job at avoiding making the songs choppy. ‘Prosperity Divine (The Machine of Mammon)’ is an excellent example of this, where there are some extra bars thrown in between sections and some well-executed time changes, as well as the emotional closer, ‘Psalm of a Soldier’, which features guest musicians Gary Wehrkamp (Shadow Gallery) and Ida Haukland (Triosphere).

One of my favourite aspects of Faceless Aggressor is the fact that the choruses sound like glam metal hooks on fucking steroids. The melodies and vocal layering never fail to take me back to the late-80s (well, not really back, because I wasn’t there, but you know what I mean) but the delivery and surrounding instrumentation is just massive. Another high point of the album is the guitarwork. I don’t think there’s a single song that doesn’t have absolutely sick riffs, especially in the intros. They’re energetic, beefy, and they’re ultimately what brings the album to be as good as it is. Additionally, the solos aren’t super flashy but they are tasteful.

While this album was actually my first taste of Divided Multitude’s long career, it’s safe to say that they’ve gained at least one new fan with Faceless Aggressor, and I’m curious to see how their previous material stacks up against this one. While it isn’t without a couple shortcomings, it’s a damn-awesome brand of prog and I would love to hear more music like this.

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Crow’s Flight Sign Record Deal

The melodic metal outfit Crow’s Flight have signed a record deal with Ram It Down Records ahead of the release of their second album, which is set to be released on 20 September.

The band released their debut, The Calm Before, under Scandal Music in 2011. So, after eight years of no new material, hopefully a fresh label will be just what the band needs to hit the scene with a fresh take on heavy metal.

The aptly named Storm is set to be released on 20 September.
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