|Release Date||4 October 2019|
|Record Label||Ram It Down|
These days, it’s incredibly difficult to carve out your own distinct space in the metal world. Among the billion or so new bands that come out by the year, it’s simply a numbers game at this point; no matter what your sound is, chances are it’s been done before. Usually, anyway. So, when a band like Dawn of Destiny comes around with a new album, it’s enough to ignite my curiosity. To say that The Beast Inside is unique would be a bit of an understatement. Seriously. It’s so unique that I can’t directly compare its sound to another band or album. Not that I’ve heard every metal record ever (because, obviously, I haven’t), but I’ve listened to my fair share of melodic and power metal, so that should say something.
However, that doesn’t make their sound indescribable or anything of the sort. Most simply, The Beast Inside is a mashup of gothic, progressive, symphonic, and power metal. This fundamental mix is hardly groundbreaking, but the way in which Dawn of Destiny differs from any band I can think of is the way it twists this combination into unconventional songwriting and interesting melodies. The first track, ‘The Beast Inside a Beauty’ is a great example of this. Starting with a light music box melody, it brings the attitude of gothic and symphonic metal together with the driving energy of power metal. It’s also the perfect preview to the album’s overall sound and (although the next two tracks aren’t quite as good) it starts the album off on a high note.
So, yeah, it’s got a unique sound, but what about the musicians? I’m glad you asked! In short, this is a fucking talented group. Jen Faber brings a big, beefy guitar tone to his chugging riffs and, on drums, Philipp Bock goes beyond your basic time-keeping by keeping the grooves dynamic. And those guitar solos? Holy fuck. There are some serious gems, especially in ‘It’s My Fate’. The highlight, though, is Jeanette Scherff‘s strong vocal style. She sings far lower and with way more bravado than you usually hear in this kind of music, making the already-solid choruses even more memorable. Her voice is actually very similar to original Battle Beast and current Burning Point vocalist Nitte Valo. Tying the whole thing together are the keyboards, courtesy of Dirk Raczkiewicz, which fill out the background nicely.
Despite all the praise I have for The Beast Inside, it isn’t perfect. ‘Peace of Mind’ is pretty weak to the point where the album could easily do without it. But, other than the odd awkward verse melody and section, this is pretty much it for shortcomings, which isn’t bad at all, if you ask me.
All things considered, The Beast Inside is an awesome album. The songs range from energetic power metal to heavier, darker metal to unconventional-yet-melodic metal. Some songs are definitely stronger than others, with ‘Signs in the Sky’ and ‘If We Close Our Eyes’ being my favourites, but every track offers something different from the last, so make sure to give the whole album a spin!
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