|Release Date||10 January 2020|
|Record Label||AFM Records|
Brothers of Metal are one of power metal’s most promising up-and-comers. The charismatic Norsemen achieved instant fame with their 2017 debut, Prophecy of Ragnarok, which was a catchy, epic, bass-cranked extravaganza. It was true warrior music for the true warrior (or, you know, us wannabe warriors). Obviously, this album was easily one of my favourites of the year, and while most of its songs follow a fairly simple structure, the band more than made up for it with their relentless viking energy, beefy riffage, and unique vocal approach.
So, it should come as no surprise that their sophomore album, Emblas Saga, is my first perfect score of 2020. It takes everything that Prophecy of Ragnarok did well, crams it into more dynamic, advanced arrangements, and injects obscene amounts of steroids into the mix. There’re also more orchestral elements thrown in for good measure. If Prophecy of Ragnarok got your blood flowing, Emblas Saga will make your veins burst.
Its biggest difference from its predecessor is that the folk influences are way more prominent here. Enough so that I would personally call it folk power metal, like I would call Elvenking or Wind Rose, but the band doesn’t, so whatever. Anyway, the instrumentation and melodies delve further into folk influence, enriching a sound that was already full.
The album begins with a short introductory track before the real album commences in ‘Powersnake’, kicking the album off with a fucking banger. Immediately after, the atmosphere quickly gets dark as it enters ‘Hel’, and the feel consistently changes throughout the entire rest of the album. Within Emblas Saga‘s hour-long runtime there are a happy songs, epic songs, dark songs, colossal songs, and a couple ballads, so you can be sure you’ll be satisfied by the time it ends.
Among the anthemic choruses and thundering guitars, I have a few favourites to pick. First and foremost, the contrast of the throaty warcries and soft female vocals have an incredible effect. They both play different roles and add an extra dimension to every song. As far as songs go, ‘Theft of the Hammer’ tops it for me; there aren’t a lot of songs that deliver this kind of sheer, pump-up intensity, and that shit is right up my alley. The epic, ‘Emblas Saga’, is a close second, and packs a hell of a lot into its seven minutes. It’s expressive, jarring, and is also an excellent way of remembering some of your Norse mythology genealogy.
2020 has just started and it’s already off with a fucking bang. Personally, I wouldn’t be surprised if Emblas Saga is still my favourite album of the year by December because it’s going to take an impossibly-great album to dethrone this one. Brothers of Metal have fought their way to the top, and I don’t think they’re going anywhere any time soon.
If you want to be notified every time PowerThorn publishes a review or article, you can subscribe to the blog or go like the >>Facebook Page<<!
For all the same (but mostly memes), >>@PowerThorn<< on Instagram is exactly what you need.